“Controversies” at the MCA
From the beginning of its history, the MCA has shown art that has taken risks, and occasionally has engendered controversy. The controversies tend to be of two types: people are. . . more
Lynne Warren
Curator who started in the MCA's first Education Department in the 1970s
Lynne, Carter, and Calder
While searching for work for Alexander Calder and Contemporary Art: Form, Balance, Joy, Lynne Warren is surprised by an artist's inspiration.
A Legacy of Performance
Ping Chong staged a performance that engaged local artists, and, years later, Tino Seghal did the same.
Ruth Horwich Defends the Staff
Ruth Horwich stood up for the staff with the board, claiming that the board’s job was to support them, not criticize.
An Interdisciplinary Collection
Eschewing specialized departments, the MCA recognizes that contemporary art frequently reflects a merging of once-distinct disciplines.
Establishing the Collection
The MCA's early acquisitions relied on grants and the generosity of Chicago collectors, whose interests helped shape the collection.
Few Resources, Lots of Creativity
Starting out with few resources, the MCA found ways to connect audiences with artists in programs such as gallery talks with Vito Acconci and Jeff Koons.
Chicago Women Artists
The MCA's Options series showcased many women artists at a time when gallery representation was rare.
Small, but Ambitious
Lynne Warren describes what it was like working for the MCA in the 1980s.